Stultiens~Andrea – The complete ‘Ebifananyi’ series 1 – 8 (sold)
€150,00
Concept and selection of images: Andrea Stultiens Publisher: Paradox, HIPUganda, Edam Year: 2013-2017 Softcver, 10 x 14,5 cm Condition: new Ebifananyi Books: This set includes all eight books from the Ebifananyi series 8. Ekifananyi Kya Muteesa, The King Pictured - By Many 268 pages | October, 2017 7. Staying Alive - Uganda Cancer Institute 264 pages | August, 2017 6. Duc in Altum, Dive Into the Deep - St. Mary's College Kisubi 264 pages | August, 2016 5. Uhuru, Minor Accidents - Eng. M.W. Wambwa 264 pages | April, 2016 4. Simuda Nyuma, Forward Ever Backward Never - Based on Images by Ham Mukasa 264 pages | June, 2015 3. All the Tricks - Elly Rwakoma 264 pages | April, 2015 2. People Poses Places - Musa Katuramu 264 pages | November, 2014 1. The Photographer - Deo Kyakulagira 264 pages | May, 2014 Book 1, 2 and 3; the photographer’s trilogy. The first three books in the Ebifananyi series form a trilogy. Each one of these books is based on the work of one Ugandan photographer and tries to show the diversity within and between their respective practices. Book 5, 6, and 7; on the relationship between photographic documentation, education and what can be known. Book 5, 6 and 7 in the series have brown covers. They all dealing with the roles photographs play in documentation, education and ideas about the generation of knowledge in colonial and post-colonial Uganda. Book 4 and 8; on the first appearance and nature of photographic pictures in Uganda. The two books in the Ebifananyi series with (light and dark) blue covers bring forth the conceptual relationship between photographs and other two-dimensional likenesses. They also consider the relationship between photographs and documented and undocumented histories.
Ebifananyi is the title of a series of eight publications by Andrea Stultiens, co-published by Paradox and History In Progress Uganda (HIPUganda). The noun Ebifananyi is derived from the verb Kufanana, and means to be similar to. It’s the Luganda word for photographs, but also for drawings and paintings, placing emphasis on their qualities as likenesses. Each book is based on one Ugandan photo collection. It presents selected photographs from the collection as well as pictures and texts that result from the activation of the collection by Andrea Stultiens. The complete Ebifananyi-series is based on several photo collections based from different Ugandan archives. They demonstrate the wide variety of narrative potential for historical footage. The publications also provides insight into responses to the collections in Uganda itself. Stultiens thus aims to show how photographic images in this East African country are being used and questions the stereotypical imagery that is associated with Africa.
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